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      <image:caption>VERTIGO dir. Alfred Hitchcock</image:caption>
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      <image:caption>THE 400 BLOWS dir. François Truffaut</image:caption>
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      <image:caption>From FOUR DAUGHTERS Writer-Director Kaouther Ben Hania. Cinematography Farouk Laaridh</image:caption>
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      <image:caption>NAPOLEON (1927) Abel Gance. Cinematography Jules Kruger. Aspect ratio of 4:1 (1.33×3) https://www.listal.com/viewimage/19571149</image:caption>
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      <image:caption>From Nomadland. Writer-Director Chloe Zhao. Cinematography Joshua James Richards</image:caption>
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      <image:caption>From Nomadland. Writer-Director Chloe Zhao. Cinematography Joshua James Richards</image:caption>
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      <image:caption>From Nomadland. Writer-Director Chloe Zhao. Cinematography Joshua James Richards</image:caption>
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      <image:caption>From Gangs of New York. Martin Scorsese. Cinematography Michael Bauhaus.</image:caption>
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      <image:caption>From Sirāt. Co-Writer-Director Oliver Laxe. Cinematography: Mauro Herce.)</image:caption>
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      <image:caption>From PERFECT DAYS. 2023. Director: Wim Wenders. Screenwriters: Wenders, Takuma Takasaki. Cinematography: Franz Lustig.</image:caption>
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      <image:caption>From Anora (2024). Writer-Director Sean Baker. Cinematography Drew Daniels. (Main characters centre frame, in sharp focus, mid-deep.)</image:caption>
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      <image:caption>Alan Bates in John Schlesinger’s “An Englishman Abroad” (1983). Screenplay: Alan Bennett | Production company: British Broadcasting Corporation (BBC)</image:caption>
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      <image:caption>From AFTERSUN 2022, Writer-Director Charlotte Wells, Cinematographer Gregory Oke.</image:caption>
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      <image:caption>Frames within the frame in AFTERSUN</image:caption>
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      <image:caption>Anamorphic lens flare in MOONLIGHT, 2016, Writer-Director Barry Jenkins, Cinematography James Laxton.</image:caption>
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      <image:caption>My two books for the fiimmaker</image:caption>
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    <lastmod>2025-02-24</lastmod>
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      <image:caption>From “In the Mood for Love” (2000) | Writer-Director-Producer Wong Kar-wai. Cinematography Christopher Doyle, Ping Bin Lee.</image:caption>
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      <image:caption>Sergei Eisenstein (1898–1948). Andrei Tarkovsky (1932–1986) | Images: Wikipedia, Philosophical Film Festival.</image:caption>
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      <image:caption>From Bresson’s Pickpocket, Cinematography Léonce-Henri Burel</image:caption>
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      <image:caption>From Ophuls’ Earrings of Madame de… Cinematography Christian Matras.</image:caption>
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    <lastmod>2025-02-24</lastmod>
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      <image:caption>The Electric Cinema, Portobello Road, Notting Hill, London. Est. 1911. (In better nick than during my days there) | Photo by Ewan Munro on Wikimedia (CC BY-SA 2.0)</image:caption>
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    <lastmod>2024-10-04</lastmod>
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      <image:caption>From Three Colors Blue. 1993. Director Krzysztof Kieślowski. Screenwriters Krzysztof Piesiewicz, Krzysztof Kieślowski. Cinematography Sławomir Idziak.</image:caption>
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    <lastmod>2024-08-12</lastmod>
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      <image:caption>Photo by Joe Roberts, Unsplash</image:caption>
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    <lastmod>2024-08-12</lastmod>
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      <image:caption>Photo by wuz on Unsplash</image:caption>
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    <lastmod>2024-07-15</lastmod>
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      <image:title>Blog - The Cinema of Vulnerability - Make it stand out</image:title>
      <image:caption>From The Teacher’s Lounge. Writer-Director Ilker Çatak. Cinematography Judith Kaufmann. (Image Sony Pictures Classics)</image:caption>
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      <image:title>Blog - It was like something in a movie! So… what is that something? - Make it stand out</image:title>
      <image:caption>From Perfect Days directed by Wim Wenders, Screenplay Takuma Takasaki, Cinematography Franz Lustig (Picture from Free Stone Productions Co.)</image:caption>
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      <image:caption>From Vertigo (1958). Alfred Hitchcock. Screenplay: Alec Coppel, Samuel Taylor. Cinematography: Robert Burks.</image:caption>
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      <image:caption>(From AFTERSUN, 2022, Writer-Director Charlotte Wells, Cinematographer Gregory Oke.)</image:caption>
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      <image:caption>From L’Argent by Robert Bresson. 1983. Cinematography Pasqualino De Santis, Emmanuel Machuel</image:caption>
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      <image:caption>Bessie Love taking direction from Alice Guy-Blaché, 1918. (Picture from The Irish Times.)</image:caption>
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      <image:caption>From Black Narcissus 1947, Written, Directed, Produced by Powell/Pressburger, Cinematographer: Jack Cardiff, Eyes: Kathleen Byron</image:caption>
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      <image:caption>From Frantz (2016), Writer-Director François Ozon, Cinematography Pascal Marti. Inspiration: Broken Lullaby(1916) by Ernst Lubitsch.</image:caption>
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      <image:caption>From JASON AND THE ARGONAUTS (1963), Director Don Chaffey, Screenwriters Alan Beverly Cross, Jan Read, Cinematography Wilkie Cooper, Talos the Statue by Ray Harryhausen.</image:caption>
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      <image:caption>(Screen Capture from Distant Voices, Still Lives Writer-Director Terence Davies, Cinematography William Diver &amp; Patrick Duval.)</image:caption>
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